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Guitar History and Culture
  • British musicians on 1964 American television beside an R&B record symbolizing the transatlantic return of American music
    History of Rock

    Episode 6 – The Transatlantic Hothouse (1960–1964)

    ByVin Amorando September 17, 2026

    In 1962, the raw material for one of the largest shifts in popular music could still fit inside a paper sleeve. American rhythm and blues records crossed the Atlantic aboard ships, entered British ports, and passed through specialist shops and private collections into rooms where young musicians played them repeatedly. The records carried songs, but…

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  • Sunday recreation on an early Stuart village green as religious authorities approach Morris dancers and townspeople
    Music & The Moral Panic

    Episode 6: When the Church Stopped Dancing -Morris Dancing, Puritan Festivity Wars, and the Governance of Pleasure (1540–1660)

    ByVin Amorando September 17, 2026

    Savonarola and Martin Luther had already demonstrated something unsettling about organized culture: songs could gather people, move them, and turn participation into political force. Episode 5 followed that struggle through music. In England, the same problem soon appeared somewhere more physical. The question moved from what people sang together to where they gathered, how they…

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  • Four young women record in a 1961 studio as teenage private desire becomes national pop culture.
    History of Rock

    Episode 5: The Privatization of Sound (1949–1963)

    ByVin Amorando September 9, 2026

    The institutions had spent the end of the 1950s trying to regain control. The Payola hearings had wounded independent disc jockeys, Alan Freed was finished, Elvis Presley was in the Army, and Buddy Holly was dead. The rawer edges of early rock were giving way to young male singers whose songs, clothes, and public behavior…

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  • Florentine song manuscript being rewritten, representing Savonarola's use of familiar melodies for devotional purposes
    Music & The Moral Panic

    Episode 5: Burn Their Songs, Then Teach Them Yours – Savonarola, the Reformation, and Music as Political Technology (1490s–1560s)

    ByVin Amorando September 9, 2026

    Carnival Before the Seizure In fifteenth-century Florence, Carnival occupied the city physically. Songs moved through streets and public squares while masks loosened ordinary identities and seasonal excess temporarily rearranged the social order. The Medici tolerated and sponsored a civic culture in which spectacle and government were closely entangled. Carnival gave Florence a sanctioned place to…

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  • Medieval choir, parchment music and papal decree evoke Church authority over Ars Nova worship in Avignon.
    Music & The Moral Panic

    Episode 4: Licensed Disorder – Carnival, the Ars Nova, and the Limits of Permitted Rebellion

    ByVin Amorando September 3, 2026

    The problem reached Avignon from inside the choir. By 1324, the papal court had become one of the great administrative centers of Western Christianity, and Pope John XXII governed an institution whose authority depended on more than doctrine. Authority also lived in ritual, in the repeated forms through which doctrine became audible and recognizable. Plainchant…

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  • Alan Freed stands at a late-1950s radio console as the payola crackdown shifts control toward institutions.
    History of Rock

    Episode 4: The Empire Strikes Back (1959–1961)

    ByVin Amorando September 3, 2026September 7, 2026

    On February 3, 1959, the Winter Dance Party tour was already in trouble before an airplane ever left the ground. Buddy Holly had been crossing the Midwest on a bus whose heater had failed during one of the coldest stretches of the tour. The next performance was roughly three hundred miles away, so Holly chartered…

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  • Echoes From the Vault
  • Hundred Million Club
  • Music History
    • Music & The Moral Panic
    • History of Rock